Konstantin Yegorovich Makovsky (1839-1915) was a prominent Russian painter, celebrated for his grand historical and genre scenes, as well as for his role in the revival of interest in traditional Russian arts and crafts during the late 19th century. Born in Moscow to a family with deep artistic roots—his father was an art professor and his brothers also became notable artists—Makovsky was immersed in the world of art from a young age. Makovsky's formal education in art began at the Moscow School of Painting, Sculpture and Architecture, and he later transferred to the prestigious Imperial Academy of Arts in Saint Petersburg. At the Academy, he initially followed the rigorous academic standards and won several medals, including the Gold Medal in 1861 for his painting "The Russian Bride's Attire," which allowed him to travel to Western Europe. His travels across Germany, France, and Italy had a significant influence on his artistic development, exposing him to a variety of artistic styles and techniques. On returning to Russia in the 1860s, Makovsky became a key member of the "Peredvizhniki" (Wanderers), a group of artists who broke away from the official academy, advocating for art that was accessible to the public and engaged with real social issues. However, his association with the Peredvizhniki was short-lived; his preference for opulent historical and genre scenes did not align with the group's emphasis on social realism. Makovsky's work is characterized by its detailed execution and vibrant depiction of historical costumes and settings. He had a particular fascination with the 17th-century Russian life, which he portrayed with romantic idealization. His paintings often depicted the Boyar lifestyle, filled with richness and opulence, a theme best exemplified in works like "The Boyar Wedding Feast" (1883). This painting, one of his most famous, is celebrated for its intricate detail and vibrant representation of a traditional Russian wedding, showcasing his mastery in using color and texture. Throughout his career, Makovsky also painted portraits, and he became one of the most sought-after portraitists among the Russian aristocracy and bourgeoisie. His portraits not only captured the likeness but also the social status and personality of his subjects, often enveloping them in lush, detailed settings that enhanced their stature. Makovsky's work earned him numerous awards, including the title of Academician in 1869 and later, Professor in 1883. His paintings were widely exhibited in Russia and abroad, enhancing his reputation and popularity. Despite the changing artistic trends of his time, Makovsky remained committed to the ideals of beauty and historical richness, somewhat detached from the emergent modernist movements. Konstantin Makovsky died in a tragic accident in 1915, when his horse-drawn carriage was hit by an electric tram in Saint Petersburg. Today, he is remembered as one of the great masters of Russian art, with works housed in major museums across Russia and the world. His legacy is a testament to the cultural flourishing of the Russian Empire in the late 19th century, reflecting both the splendor and complexity of its social fabric.