Lucien Pissarro (1863–1944) was a Franco-British painter, printmaker, wood engraver, and designer whose career bridged late Impressionism, Neo-Impressionism, and the English Arts and Crafts world. Born in Paris, he was the eldest son of Camille Pissarro and grew up in an unusually rich artistic environment, surrounded by many of the major painters in his father’s circle. Trained first under Camille’s guidance, he developed an early sensitivity to color, atmosphere, and rural subjects, while also absorbing the newer ideas of artists such as Seurat and Signac. Although he exhibited in France, including the last Impressionist exhibition, Lucien increasingly found his artistic identity in Britain, where he settled permanently in 1890. There he expanded his practice beyond painting into wood engraving, typography, and fine-book production. In 1894, with his wife Esther Bensusan, he founded the Eragny Press, an important private press that united literary craft with visual design. He later became associated with the New English Art Club, Walter Sickert’s circle, and the Camden Town Group, helping shape the dialogue between French and British modern art. Lucien Pissarro remained dedicated to intimate landscape and refined craftsmanship throughout his life, leaving a legacy that is both painterly and bibliophilic.